Dziga Vertov

Dziga Vertov's use of the kino-eye in the article is the strong point. Understanding the grasp of that concept helps convey what he is saying much easier. Learning how and where the kino-eye is important as it enhances your film-making. When he lists examples of how he would take a shot of a scene, I could imagine myself approaching it differently, like when he talks about the boxing match and only showing the successive hits, I would have them in a bunch of angles, top down, left, right, underneath etc.. Understanding the movement of these objects is what he was talking about here and capture the most important ports of said movement.